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This museum is located in the Buenavista Palace, Málaga (Spain). The palace was built for Diego de Cazalla, paymaster of the royal armies and navies, who took part in the conquest of the city in 1487. It is believed that he building was erected over the remains of a Nasrid palace of which some elements still survive, such as the tower to the east of the main courtyard.

Italian and Mudejar elements combine in this sober and elegant building. By the 19th century the palace had became less of a family residence and began to assume other roles.

Declared a National Monument in 1939, the palace was rented to the State in 1946 to house the Museo Provincial de Bellas Artes, which opened in 1961. The Museum remained there until 1997 when the building was acquired to house the Collection of the future Museo Picasso Málaga. This choice reflected the express desire of the principal donor, Christine Ruiz-Picasso, who envisioned the Collection to be housed in a typically Andalusian building.

In January 2006 the American Institute of Architects awarded the MPM the Institute’s Honor Award for Architecture. The jury singled out: “This is a beautiful job of restoration architecture… It is appropriately modest, weaving a museum into the fabric of this Mediterranean city… New portions were simply and elegantly inserted in and around the 16th century castle, the outdoor courtyards and the city streets.”

117 - Picasso Museum Málaga
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The Murcia Town Hall (Spain) raises in the Cardinal Belluga Square, a baroque square where the protagonist are the façade of the Cathedral designed by Jaime Bort and Cardinal Belluga Palace, the work of the architect Canestro. Moneo designs the building of the Town Hall content in its role as a spectator, without seeking the status of protagonist held by the two historical buildings. However we do not imagine a commonplace spectator.

Civil power is embodied in this building on the place where the Church shows its power. The façade/retable of the Town Hall facing the square could never, nor would ever, want to compete with the classical order. It's organised as a musical score, numerically, accepting the system of horizontal levels of the floor slabs. The façade resist symmetries and offers as its key element the balcony of the gallery. The Town Hall has not an entrance on the square. It respects the pre-eminence of those buildings which have occupied it for so long.

Murcia Town Hall4 - Contemporary Architecture in Spain: Murcia Town Hall
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In the town of Casar de Cáceres, located 10 kilometres from the capital of Cáceres (Extremadura), the architect Justo García Rubio planned his most audacious work: a terminal for long-distance buses featuring complex engineering and a superbly slender design.

The most characteristic element is the curved white concrete ribbon which folds in on itself and serves as a roof and as a depot for travellers and vehicles. A laminar structure resembling a sculpture, whose shape is not only designed to be aesthetically pleasing, but also functional: it expels the contamination from the buses' exhaust pipes and diverts it away from the schools flanking the station.

The result is strongly reminiscent of the soft architecture pioneered by other architects such as Oscar Niemeyer and Félix Candela.

El Casar Bus Station - El Casar Bus Station, Caceres, Extremadura
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This project was developed in Gandia, a town with a population of 75,000 to the south of Valencia. The aim was to develop a hybrid project that would function essentially as a student residence while meeting the requirements of social housing, with the corresponding standards and characteristics.

The proposed programme includes 102 apartments for young people, 40 apartments for senior citizens, and a civic and social centre for the town council. The most interesting question from a programmatic point of view is the provision of shared spaces in the apartments for young people, which is in effect a new version from the traditional residence for young people.

The fact is that the idea of sharing spaces is fully compatible with the goals of social and environmental sustainability, grounded as it is on the principle of ‘doing more with less’: that is, offering people more resources through the mechanism of sharing.

University Housing 1 - University Housing by Guallart Architects, Gandía
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Spanish Pavilion Design presents a modern architecture with display a splurge color exterior and colorful interior. This pavilion display at the Floriade 2012 in Venlo, Netherlands which is a wonderful architecture design from designer Pulgon Diseño.

Made of recycled materials like fruit boxes, planks and some rest of the building materials, this pavilion brought go-green concept. Cradle to Cradle is the idea which the designer believes that every originate smaterial from nature must finish up as a natural part of it as well. And in the process Pulgon Diseño has created a green structure that is visually distinctive and strikingly vivid from materials that have mostly been discarded as waste.

Spanish Pavilion design is a example of a sustainable design that is both flowing in its appearance and fully functional. The structure was designed to highlight the importance of organic products and how various things and materials in nature can be used and reused for construction. An amalgamation of multitude of materials and colors, the Spanish Pavilion seems like a natural structure that just sprung out of the ground and has a very “natural” feel to it.

Spanish Pavilion Architecture - Spanish Pavilion at Floriade 2012
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